LIST OF GALLERY PROGRAMMES
Alisan Fine Arts
Pop Rock
Exhibition Period: 11 August – 6 November
Curators: Olivia Wang & Jérémie Thircuir
Artists: Dong Wensheng, Han Lei, Hung Fai, Hung Keung, Koon Wai Bong, Ryan LaBar, Mao Guanshuai, Pan Yingguo, Shi Jinsong, Wai Pong-yu, Yau Wing Fung, Zhang Jian-Jun, Zhang Xiaoli & Zhang Ying
Alisan Fine Arts is honoured to present a group exhibition POP ROCK that uses the scholar’s rock as a starting point to create a dialogue between high and low culture, past and present. Featuring 14 artists from Hong Kong and mainland China, the exhibition highlights the diverse explorations and perspectives of artists working in a range of different media—ink, photography, oil, sculpture, installation and video.
One of the challenges facing each generation of Chinese artists has been how to innovate and develop a personal idiom while remaining reverent to age-old artistic traditions. From the early twentieth century and increasingly in the last couple of decades, the desire to develop and incorporate Western aesthetics within Chinese art and culture has taken many different forms. This cultural hybridization has created much friction and misunderstanding of the formal, conceptual and spiritual dimensions of tradition.
As such, tradition today is often idealized. It is shrouded in a certain romantic myth that an artist is full of supernatural wisdom that connects to the natural elements, and is—unlike his or her audience—free from the material pressures of contemporary life. The notion of tradition thus has become almost sacred, and pushes the viewer further away from understanding it. POP ROCK seeks to bring tradition closer to us by making it more approachable and interactive. Symbols of the past need to be made alive and brought into the present in order to be appreciated and revered.
There is something otherworldly about beholding a rock—a prized icon in Chinese art history. An object for meditation, the rock was believed to be imbued with primordial and supernatural energies capable of dynamic transformations. From the Song dynasty, large rocks were an essential feature in gardens, and smaller ones made up home or studio collections, where they offered “imaginary travel” to mystical peaks and cave paradises.
Just as rocks have been appreciated for their mystical and natural beauty since ancient times, they continue to serve as objects of inspiration and curiosity for artists and collectors today. The abstract forms of a rock lend itself to endless possibilities of exploration and interpretation. Standing between an object from nature and a readymade enhanced by human hand, the rock also compels us to ponder upon the boundaries between culture and nature.
POP ROCK takes an irreverent and playful approach on this classical symbol, reflecting the idea that objects that we truly care about should be kept close and cherished.
Alisan Fine Arts
Pop Rock
Exhibition Period: 11 August – 6 November
Curators: Olivia Wang & Jérémie Thircuir
Artists: Dong Wensheng, Han Lei, Hung Fai, Hung Keung, Koon Wai Bong, Ryan LaBar, Mao Guanshuai, Pan Yingguo, Shi Jinsong, Wai Pong-yu, Yau Wing Fung, Zhang Jian-Jun, Zhang Xiaoli & Zhang Ying
Ben Brown Fine Arts
Ze/ro (curated by Shirky Chan)
Exhibition Period: 13 July – 28 August
Curator: Shirky Chan (connected via HKAGA Summer Programme Open Call)
Artists: Au Hoi Lam, Chan Ka Kiu, Christy Chow, Jaffa Lam & Jess Lau
Ben Brown Fine Arts is delighted to announce its forthcoming exhibition Ze/Ro at the Hong Kong gallery, from July through August 2021. The exhibition is organised by Hong Kong-based curator Shirky Chan as part of the Hong Kong Art Gallery Association’s (HKAGA) Summer Programme. Fostering the local arts community with a focus on young talent, the HKAGA’s Summer Programme actively builds a bridge between its member galleries, emerging artists, curators and writers within this vibrant city.
Chan has curated a contemplative and topical group show featuring the work of five artists: Au Hoi Lam, Chan Ka Kiu, Christy Chow, Jaffa Lam and Jess Lau. All of these artists are living and working in Hong Kong and each addresses notions of identity, gender, society and self, framed by social constructs and desired dissolutions of gender. Chan explains:
“Gender is a social construct. Culture and tradition are often used to shape the contents of gender stereotypes to prescribe regulatory social regimes. In this sense, the representation of female and male is still crucial in terms of how they are being projected by self and others in society. To enact gender neutrality and de-gendering in society, Oxford English Dictionary has officially adopted the new gender pronoun “Ze” instead of “He” and “She” to represent non-binary gender identities. As such, the powerful and divine word “Hero” is no longer the privilege of “He” in the world of linguistics and reality. Perhaps we can start calling it “Ze/Ro” from now on.
In this exhibition five artists, Au Hoi Lam, Chan Ka Kiu, Christy Chow, Jaffa Lam and Jess Lau, explore the nature of the female world where women empower themselves by embracing their creativity in the realms of body and mind. Cross-generational women in distinct identity roles transcend acts of self-awareness into rewarding outcomes, from which a sense of autonomy is recognised through one’s individuality and multifaceted characteristics. Their works adapt the female’s multisensory experience from body to mind: a life-giving bearer that embodies changes and endures beyond our imagination; whilst being the matrix for one to envision fantasies, emotional associations or even a learning process in life.
Body is the intimate site for one to reclaim memories and emotions through movements and sensations. The artists in this exhibition also disclose their autonomy, fear, romance and tension in different stages, all of which are traces in life, or put simply, a lifelong contemplation. Evaluated against the cultural orientation of gender, they acknowledge and exercise the power of “Ze”.
Ben Brown Fine Arts
Ze/ro
Exhibition Period: 13 July – 28 August
Curator: Shirky Chan (connected via HKAGA Summer Programme Open Call)
Artists: Au Hoi Lam, Chan Ka Kiu, Christy Chow, Jaffa Lam & Jess Lau
L+ / Lucie Chang Fine Arts
The Sky Beyond the Clouds
Exhibition Period: 7 August – Mid-September
Artist: Jessie Siu (connected via HKAGA Summer Programme Open Call)
Looking up into the sky, even when it is filled with clouds, we know that beyond the clouds the big blue sky is always there. According to Buddhism, the nature of the mind is like the clear blue sky, limitless and infinite. However, it is darken by clouds of ignorance and the three toxic emotions, blocking the bright light of inner wisdom. In this exhibition, Hong Kong based artist Jessie Siu examines why our mind is clouded and explores ways that clear away those clouds of greed, anger, and selfishness to uncover a state of perfection that is, and always has been, our own true nature.
L+ / Lucie Chang Fine Arts
The Sky Beyond the Clouds
Exhibition Period: 7 August – Mid-September
Artist: Jessie Siu (connected via HKAGA Summer Programme Open Call)
Over the Influence
Camino Al Mictlan (On the way to Mictlan)
Exhibition Period: 21 August – 2 October
Artist: Ane Alfeiran (connected via HKAGA Summer Programme Open Call)
Mictlan is the underworld of Aztec mythology and consists of nine distinct levels. Aztecs believed that when we die, we travel through the various levels. Throughout this series, the artist explores the levels of Mictlan in the context of a number of existential questions such as Who are we? What Are we? Why are we? Where do we go? How do we get there?
Over the Influence
Camino Al Mictlan (On the way to Mictlan)
Exhibition Period: 21 August – 2 October
Artist: Ane Alfeiran (connected via HKAGA Summer Programme Open Call)
Artspace K
Childhood in Ceramic Exhibition
Exhibition Period: 8 July – 3 October
Artists: Ah Leon, Lee Chin-Sheng & Leo Tang
Writer: Gabrielle Tse (connected via HKAGA Summer Programme Open Call)
The fleeting days of childhood, never to return, leave behind our most cherished memories. Artspace K presents “Childhood in Ceramic” Exhibition. Three celebrated ceramic artists from Taiwan – Ah Leon (Chen Ching-Liang), Lee Chin-Sheng and Leo Tang (Tang Shou-Nan) awaken memories of innocence and joy of childhood through sculptures created from the natural warmth of clay. Gabrielle will be writing a review on the exhibition.
Artspace K
Childhood in Ceramic Exhibition
Exhibition Period: 8 July – 3 October
Artists: Ah Leon, Lee Chin-Sheng & Leo Tang
Writer: Gabrielle Tse (connected via HKAGA Summer Programme Open Call)
Blue Lotus Gallery
The Labyrinth
Exhibition Period: Early – Late September
Curator: Natia Ser
Artist: Christopher Button
To many of us, the Hong Kong railway stations signal nothing more than a journey to work. Packed with people scurrying mindlessly from one tunnel to another, reaching the end of one staircase only to see three more waiting, these sites are overridden by countless of fleeting moments that hardly leave a mark on our minds. Christopher Button, however, sees beyond the buzz. When everyone else calls it a day, he immerses himself in the vastness of these confined underground channels. With his camera, he transforms the space into a dystopian dimension. Everything seems confined and endless at the same time—much like the travelling constraints some of us we are enduring. We dare you to join us into this tunnel of unknown…but watch out, there’s no guarantee whether we will get out or not…
Blue Lotus Gallery
The Labyrinth
Exhibition Period: Early – Late September
Curator: Natia Ser
Artist: Christopher Button
Rossi & Rossi
Space
Exhibition Period: 3 July – 31 July
Artist: Szelit Cheung
Writer: Alex Wong Kachun (connected via HKAGA Summer Programme Open Call)
Upon the completion of the two-month artist-in-residence project, Rossi & Rossi will revert to a gallery space for the solo show of Szelit Cheung from July 3rd to 31st, 2021. Pursuing his expedition in the concept of void, Cheung amplifies the characteristics of our gallery space by portraying light and colour in an exquisite manner. His canvases have brought the gallery out of its ordinary presence, enabling it to undergo a metamorphosis from being an exhibition venue to becoming an exhibition’s theme. Titled Space, the show comprises a series of paintings that depict the semi-fictional interior based on the actual structures of the gallery. Space will mark itself as the final show at this gallery space which Rossi & Rossi has inhabited since 2013, and we look forward to presenting more exciting exhibitions at our future address. Alex has been reviewing the artist’s work and will submit a written record of his residency for the Summer Programme.
Rossi & Rossi
Space
Exhibition Period: 3 July – 31 July
Artist: Szelit Cheung
Writer: Alex Wong Kachun (connected via HKAGA Summer Programme Open Call)
Whitestone Gallery
Space and Memories
Exhibition Period: 31 August – 30 September
Artists: Szelit Cheung, Tap Chan & Kwong San Tang
Writer: Alex Wong Ka Chun (connected via HKAGA Summer Programme Open Call)
Three artists exploring the concept of space and memories through their works.
Whitestone Gallery
Space and Memories
Exhibition Period: 31 August – 30 September
Artists: Szelit Cheung, Tap Chan & Kwong San Tang
Writer: Alex Wong Ka Chun (connected via HKAGA Summer Programme Open Call)
Axel Vervoordt Gallery
Residual Heat
Exhibition Period: 17 July – 28 August
Curator: Chris Wan Feng
Artists: Kurt Chan, Jaffa Lam, Ocean Leung, Ivy Ma, Shawn Tang, Wu Jiaru & Morgan Wong
For our participation in the Hong Kong Art Gallery Association Summer Programme 2021, Axel Vervoordt Gallery is pleased to invite curator Chris Wan Feng to take over the gallery’s 21st floor space for a summer group exhibition Residual Heat. The exhibition features seven Hong Kong artists from different generations, including Kurt Chan, Jaffa Lam, Ocean Leung, Ivy Ma, Shawn Tang, Morgan Wong and Wu Jiaru.
“The use of aesthetics is like picking up a piece of burnt charcoal stick next to a bonfire to sketch, with the warmth still in your hands, daubing the story of the writer. East and West, connected with each other over time, learn from each other not only the aesthetics interest, but also the spiritual tools for understanding the world.” – Chris Wan Feng.
“Residual Heat” refers to something remaining, but through an introspective and historical approach, and re-emerging contemporary state of mind. It is closely related to historical art movements and the broader social and cultural changes. It derives great energy from the combination of aesthetics and spirituality, and references to the human condition in the present world.
Divided into three chapters, the exhibition traces the aesthetic tradition and the interconnected development of Hong Kong’s local contemporary art practice. The exhibition presents works of various mediums – painting, sculpture, video, and installation- and examines each artist’s intrinsic spirituality, burgeoning inner strength, and their resonance with material and matter, as they actively respond to the history and the present.
Chris specially invited the poet Liu Wai Tong to select three poems for each chapter of the exhibition. The poems respond to exhibited works and merges with the sound materials of language and literature.
Axel Vervoordt Gallery
Residual Heat
Exhibition Period: 17 July – 28 August
Curator: Chris Wan Feng
Artists: Kurt Chan, Jaffa Lam, Ocean Leung, Ivy Ma, Shawn Tang, Wu Jiaru & Morgan Wong
Galerie Koo
Duet
Exhibition Period: 6 August – 8 September
Artists: Kathy Fung & Wong Kai Wai
Contemporary ink has been influenced by Western art styles, bringing a movement to traditional Chinese ink paintings. The spirit of contemporary ink is to interpret the long-standing Chinese culture by the artists’ own characteristics and tell a unique story without being bound by tradition.
Both Fung and Wong are contemporary ink artists from Hong Kong. Born in Hong Kong, a unique place in terms of geography, culture and academic background, both Fung and Wong have a different way of seeing the world.
She regards art as a means to faithfully depict the majesty and allure of the world. Her artworks are rose-tinted lens as well as love letters to the places she had visited. The use of Japanese gold paper and a world full of colours together with selected memorable elements reflects the artist’s sense of positivity, optimism and hope in life.
Wong uses the ocean and the infinite universe as his main subject matter, and reflects his emotions through ink and wash, combining the concepts of “floating life” and “harmony” with a positive outlook on life and the natural expression of emotions. Ink and wash allows him to explore freely in art and have a clear vision of the future.
Galerie Koo
Duet
Exhibition Period: 6 August – 8 September
Artists: Kathy Fung & Wong Kai Wai
Villepin
Myonghi Kang: Origins
Exhibition Period: 17 May – October
Artist: Myonghi Kang
Writer : Gabrielle Tse (connected via HKAGA Summer Programme Open Call)
VILLEPIN is pleased to announce an exhibition featuring work by the Korean artist Myonghi Kang.
Myonghi Kang’s idyllic canvases offer an intimate view into the elusive heart of her artistic pursuit: a faith in painting and drawing as a medium capable of profoundly reinforcing our relationship with the natural world.
Moving with ease between abstraction and figuration, the artist reflects on questions of perception, embodiment and understanding, while offering viewers a new experience of time, space, and color. Through cosmic landscapes, her command of colors, marks and shapes convey a sense of exuberance, peace and joy.
For over five decades, the artist has continuously sought new ways to represent nature on paper and canvas in a practice that involves painting, poetry as well as philosophy. The works on view in the exhibition vary dramatically in scale yet they share an immediacy that results from the artist’s familiar and fluent engagement with oils and pastels. The gallery will be transformed into a meditative sanctuary to complement the artist’s work, providing a hideaway from the hustle and bustle of city life, and allowing visitors to become immersed in her visual language.